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Privatising Culture: Corporate Art Intervention Since the 1980s de Chin-Tao Wu
Descripción - Críticas 'Sobering and incisive... Wu convincingly tells an ugly story of seduction and betrayal, one which anyone who cares about the future of art needs to hear. Publishers Weekly An admirably thorough study of the Anglo American art world. Washington Post Book World A meticulous account of the dominance of capital itself over the human spirit... If anyone still wants to criticize the morality of the marketplace, they must also develop a critique of [the] commercial aesthetic. Chin-tao Wu's book is an excellent place to start. Times Literary Supplement Reseña del editor Corporate sponsorship and business involvement in the visual arts have become increasingly common features of our cultural lives. From Absolut Vodka's sponsorship of art shows to ABN-AMRO Bank's branding of Van Gogh's self-portrait to advertise its credit cards, we have borne witness to a new sort of patronage, in which the marriage of individual talent with multinational marketing is beginning to blur the comfortable old distinctions between public and private. Chin-tao Wu's book is the first concerted attempt to detail the various ways in which business values and the free-market ethos have come to permeate the sphere of the visual arts since the 1980s. Charting the various shifts in public policy which first facilitated the entry of major corporations into the cultural sphere, it analyses the roles of governments in injecting the principles of the free market into public arts agencies--in particular the Arts Council in Great Britain and the National Endowment for the Arts in the USA. It goes on to study the corporate take-over of art museums, highlighting the ways in which 'cultural capital' can be garnered by various social and business 'elites' through commercial involvement in the arts, and shows how corporations have succeeded in integrating themselves into the infrastructure of the art world itself by showcasing contemporary art in their own corporate premises. Mapping for the first time the increasingly hegemonic position that corporations and corporate elites have come to occupy in the cultural arena, this is a provocative contribution to the debate on public culture in Britain and America. Biografía del autor Chin-tao Wu specializes in contemporary art and culture, and has contributed to New Left Review and Kunst und Politik: Jahrbuch der Guernica-Gesellschaft. She is an Honorary Research Fellow at University College London and teaches at Nanhua University in Taiwan.
Detalles del Libro
- Name: Privatising Culture: Corporate Art Intervention Since the 1980s
- Autor: Chin-Tao Wu
- Categoria: Libros,Arte, cine y fotografía,Historia, teoría y crítica
- Tamaño del archivo: 14 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
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Privatising culture : corporate art intervention since the ~ xvii, 392 : 21 cm. Privatising culture : corporate art intervention since the 1980s Item Preview
Privatising Culture: Corporate Art Intervention Since the ~ Corporate sponsorship and business involvement in the visual arts have become increasingly common features of our cultural lives. From Absolut Vodka’s sponsorship of art shows to ABN-AMRO Bank’s branding of Van Gogh’s self-portrait to advertise its credit cards, we have borne witness to a new sort of patronage, in which the marriage of individual talent with multinational
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Privatising Culture - Livro - WOOK ~ Privatising Culture. Corporate Art Intervention Since The 1980s de Chin-Tao Wu . idioma: Inglês. Edição: VERSO BOOKS, julho de 2003 ‧ ISBN: 9781859844724 ‧ ver detalhes do produto. seja o primeiro a comentar este produto comentar. 29,93€ i. 10% .
Privatizar la Cultura by Chin-Tao Wu ~ Privatizar la Cultura book. Read reviews from world’s largest community for readers. La esponsorización y la implicación empresarial en el ámbito de las .
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CCCS - ARTE, PREZZO e VALORE ~ Per un’analisi dettagliata di alcune di queste motivazioni aziendali vedi Chin-tao Wu, Privatising Culture: Corporate Art Intervention Since the 1980s, Verso, London 2001, cap. 8. Secondo l’interessante punto di vista di Wu, molte di queste ragioni rimangono segrete.
Art intervention - Wikipedia ~ Art intervention is an interaction with a previously existing artwork, audience, venue/space or situation. It has the auspice of conceptual art and is commonly a form of performance art.It is associated with the Viennese Actionists, the Dada movement and Neo-Dadaists. Stuckists have made extensive use of it to affect perceptions of artworks they oppose and as a protest against existing .
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Instituto de Nuntempa Arto - Wikipedia's Institute of ~ ^ Chin-Tao Wu, Privatising culture : corporate art intervention since the 1980s, Verso, 2003, p. 145. ^ Gibbons, Fiachra (17 January 2002). "Concept art is pretentious tat, says ICA chief". The Guardian. London. ^ Alberge, Dalya (10 March 2005). "ICA appoints the first black gallery director". The Times. London. ^ "Should we let the ICA die .
Durán - Arte y capital. Releyendoa el capitulo VI ~ Corporate Art Intervention since the 1980s, Verso, Londres NOTAS 1 La versión original de este artículo apareció en la revista electrónica de la Universidad Complutense de Madrid Nómadas.
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